I
began Tap Dancing in our kitchen with my Aunt Rose, who was a vaudevillian,
and I began formal dance classes at age 3. I had my first solo by
age 4 and wanted nothing else than to be a Tap Dancer when I grew
up. My idols were Sammy Davis and Gregory Hines, and I also enjoyed
anything with Tap Dancing and all the movies with the Nicholas Brothers,
Bill Robinson, Fred and Ginger and Gene Kelly.
I
was teaching and managing a local dance studio at high school’s
end and was a dance major in college, where I taught the tap classes.
Though through life’s hard knocks, I stopped dancing and turned
into a dietitian, only to discover my dream had been buried amidst
the heap of insecurities and fear. After my marriage annulment and
some soul searching, my good friends took me by the hand back into
the dance studio. It was more difficult than I remembered, but I
knew it was my last chance and that I had to give it all that I
had. I did, and my 10 year career included many opportunities that
most could only imagine.
I
studied under Gurus such as the enormous Phil Black, and became
a teacher at his school, the amazing Brenda Buffalino, and became
a member of her company, the American Tap Dance Orchestra. I auditioned
for the fly girls with Jennifer Lopez, she got it, I didn’t,
but shortly after I got 42nd Street’s European Tour
and my world expanded. From there I landed my dream show, the tenth
anniversary national tour of Sophisticated Ladies, directed by Mercedes
Ellington. I understudied a hoofer’s role and eventually was
given the part. I remember the musicians cajoling that “she’s
living her shit!” and I absolutely was!!! There were also
the benefits that I am proud to have participated in with Gregory
Hines, Savion Glover, Jimmy Slyde and many other talented performers.
Gregory was not only a huge talent, but was generous, kind, loving
and supportive to me and the tap community. Savion’s Bring
In the Noise, Bring In the Funk was a hit on Broadway, and
my phone was ringing with opportunities to teach Tap. I was teaching
at New York University’s musical theater department and many
of the Manhattan studios as well as traveling to Connecticut, New
Jersey, Brooklyn, and Brazil!
I
also had the opportunity to study theater dance with Phil Black
and Chet Walker and as the Fosse Musical Chicago was also hot on
the scene, I was teaching some of that too and having a great time
with choreography.
As
my schedule filled with teaching responsibilities, my time studying
and auditioning began to dwindle, and my body began to become uncooperative.
I took up Yoga with Lynn Simonson at Dance Space. I found something
profound and committed to practicing every day. One time I went
to a local gym to take a yoga class and when the teacher didn’t
show up, I stepped in and taught it. I was hired to teach my own
class and soon after wanted more formal education and took Integrative
Yoga Therapy Teacher Training with Joseph LePage. My dancing came
to a close as I transitioned away from the hectic life of NYC and
moved to the Berkshires in January of 2000. I completed the 3 month
Spiritual Lifestyle Program and the 500 hour advanced Yoga teacher
training at Kripalu Center, where I also lived for a year and a
half. In 2001 I went to India to study with TKV Desikechar in the
Krishnamacarya lineage which is also therapeutic in nature. Krishnamacharya
said that anyone could do Yoga and that the practice should be adapted
to suit the needs of each individual. I remember one afternoon,
walking into the Mandiram and hearing Sir Desikechar’s voice
calling out, “where is the tap dancer?!” As per his
request, I did a tap dance for everyone, and then one of the Indian
program assistants did an Indian dance. He was teaching us about
the essence of Yoga, which is relationship.
I’ve
continued my path of healing with intensive study of Ayurveda (the
science of life) and last winter went back to India to study with
Dr. Chauhan. His focus was also about relationship. He spoke about
the relationship of our mind to our soul and how this affects the
way we live, our health, and how we authentically love.
When
Kripalu agreed that they wanted me to lead a Yoga and Tap Dance
program, I had to come back to relationship and the essence of Yoga
and Tap Dancing. It is a program that will bring Tap Dancers together
in a way that has not been done before. There is an experience for
each of us, whether Tap Dancer or Yogi, that is the same. Gregory
Hines said, “Each Tap Dancers’ experience is the same.
Everybody can feel it! Something happens-they see somebody, they
have a moment, they take lessons-and they all of a sudden decide,
“That’s it. That’s my thing. I’m gonna do
that! I’m gonna be a Tap Dancer.”
Merging
Yoga and Tap Dance brings a fullness to my circle and another opportunity
to teach and create the space for discovering right relationship!
Both are a sadhana (spiritual practice) that connects the
body and mind through their focused attention, concentration, and
devotion. Both require a teacher because the teachings are passed
from the heart of the teacher to the heart of the student, this
is what is meant by a Guru. Being in action without attachment to
the outcome is necessary for both, in order to not create conflict
and allow for the free flow of energy and creativity in the body
and mind. Both are a language and a conversation that speaks to
the essence of who we are in relationship to everything else. The
merging of Yoga and Tap Dance allows for a relationship to your
individual soul and spirit, which can make the experience one of
sheer bliss. Imagine a room full of all of these shining souls.
This is a home where spirit prevails and love flows. As we live
in a way where our minds connect to our soul we experience the universal
connection and the discovery of our true nature and how to live
according to its laws and the true rhythm of the earth. The essence
of Ayurveda is to live according to this relationship in each moment
to feel more fully alive and to move forward in life peacefully,
with grace and ease. |